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Brand Typography: It’s More Than Picking a Random Font

May 7, 2024

Ever wonder why your designer picked one font over another, or why some cost more than others? Here’s the reasoning most clients never hear.

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Former comp lit major, current brand designer, forever book nerd. I started Parson Lane in 2019 to build brands with real staying power - the kinds that still feel right five years in.

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I'm Molly

There’s a lot of debate about the “right” way to approach typography in branding, especially about whether to dig through font libraries for something rare, be it paid or free.

I’ll cut right to it: there’s no universal “best.” Both paid and free fonts have real advantages and real limitations, and the right call depends on what your brand actually needs. Most designers spend hours dissecting typography as part of the job, which is exactly why we tend to land on strong opinions about which font actually fits a given brand. This post walks through some of that reasoning so you can see the why behind it, but when it comes down to your own project, the simplest advice is still to trust your designer’s judgment.

Free Fonts

Google Fonts

When it comes to free fonts, Google Fonts is the gold standard. Most Google Fonts are high-quality typefaces created by professional type designers and foundries, not the generic filler fonts people sometimes assume “free” means. It’s the free font library other free font libraries get compared to.

Pros

  • Great for ease of use on the web
  • Free to download and use on any website
  • Often built directly into platforms like Squarespace and Canva
  • Also available across Google’s own tools, like Docs and Sheets

Cons

  • Because it’s such a good, free service, pretty much everyone uses it, which makes it harder to land on something that reads as unique to your brand
  • Some of the more popular Google Fonts, like Open Sans, are used on tens of millions of websites

Adobe Fonts

Like Google Fonts, Adobe Fonts are high quality and created by professional type designers. Think of it as the “by designers, for designers” branch of free fonts.

Nearly every designer you’ll ever work with has an Adobe Creative Cloud subscription, so if your brand fonts come from Adobe, future designers should be able to access them easily too. That accessibility factor matters when you’re picking something meant to last.

Pros

  • Many are built directly into platforms like Canva and Squarespace
  • Easy to add to most website projects without hosting fonts on your own site, which helps page load times
  • Free to use with any Adobe Creative Cloud subscription

Cons

  • Many are not free to download apart from an Adobe Creative Cloud subscription
  • Like Google Fonts, they’re often overused, which makes differentiation harder

Other Free Fonts

Plenty of other services exist that provide free fonts (think: websites like dafont.com). Some free fonts are created by professional type designers who are kind enough to release their work at no cost or as a demo, while others are created by hobbyists. Quality swings wildly from one to the next, so this is the category where you actually have to look closely before committing to anything.

Pros

  • You can find real gems if you’re willing to dig
  • Better odds of finding something unique vs. using Google Fonts or Adobe Fonts

Cons

  • Many of the free fonts on the internet are fairly low-quality, maybe even wonky. Kerning (the spacing between letters) is often an afterthought, which can make text look subtly “off.” Poorly kerned fonts are also harder to read.
  • Many free fonts are demo versions which are not licensed for commercial use – meaning that if you want to use them for your brand, you’ll have to track down the paid version and pay a licensing fee anyways.

Paid Fonts

“Paid fonts” is just as broad a category as “free fonts,” but by and large, you’ll find higher quality when you’re willing to pay for it.

Paid fonts are designed by professionals who understand legibility, usability, and strong design at a level most free options don’t reach. They tend to come with more range, too: a full spectrum of weights from extra light to extra bold, true italics, small caps, multi-language support, accent marks.

That range matters more than it might seem at first. If an italic version of your brand’s body font doesn’t exist, that gap tends to surface as a real annoyance somewhere down the road, usually at an inconvenient moment. A premium type family sidesteps that problem before it starts.

You can find high-quality, diverse fonts on platforms like Creative Market or MyFonts. Or, you can shop directly from your favorite type foundry. Some type designers I love are Violaine & Jérémy, Connary Fagen, Taylor Penton, and Yeahright Type Studio.

Pros

  • High-quality and designed by professionals
  • Unique to your brand
  • More versatile and built to last

Cons

  • They’re not free

So which one is right for you?

At the end of the day, it comes down to what your specific brand needs, not which category wins on paper. That’s exactly why designers weigh this decision instead of defaulting to whatever’s free or whatever’s expensive. The goal is never to spend more for its own sake – it’s to land on a font that actually holds up everywhere your brand needs it to, from a website header to a business card to a hand-painted sign out front.

This isn’t a decision you’re meant to make alone. It’s exactly the kind of expertise you’re paying a designer for – someone who looks at typography as one piece of a much bigger, connected brand, not a standalone choice made in isolation. Work with a brand designer who takes that same holistic approach to your whole identity, typography included, and trust that you’ll land on a typeface that’s actually right for you.

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